Edexcel A-level English Language · Paper 1 · C1/C2 · Old text meets new text: reading two centuries of change — and the things that never change
Section B always pairs an old text with a new one doing a SIMILAR JOB — advising, persuading, instructing, reporting. That pairing is a controlled experiment: the job is held steady, so every difference you find is change, isolated and measurable. And the question always contains a trap: candidates who write "the old text is complicated and boring, the new one is friendly" have described their feelings, not the language. Your task is to name the changes like a scientist — and to notice the continuities, which weaker candidates never do.
From an advice book for young people, written in the 1790s (the great age of "conduct literature" — bestselling manuals on how to behave):
a) Sentence architecture: how many sentences is that first paragraph — and what is stacked inside them?
b) Lexis: find three words a modern advice text would never reach for — and one word history later "corrected".
c) Grammar fossils: one verb ending that has died.
d) The authority machine: where does this writer's right to advise come from?
e) The beautiful bit: find the simile and translate its message.
From the transcript of a popular online talk about habits, delivered live and streamed (key: (.) pause, bold = stress, [ ] = audience):
a) The 1790s wrote "It is a truth which cannot too frequently be impressed…". What is this speaker's version of announcing authority?
b) Sentence architecture now?
c) Where the old text said "the young person", this one says…?
d) Modern lexis the 1790s could not have produced — three items.
e) And the continuity — what has NOT changed since the streams-and-river simile?
1. An 1800 recipe says "take a quantity of flour sufficient thereto"; a modern one says "chuck in enough flour".
2. A 1750 letter closes "Your most obedient humble Servant"; an email closes "Best".
Model, comparing our two texts:
Write the SENTENCE-ARCHITECTURE paragraph: subordinated cathedral vs breath-length units, with quotes from both, a toolkit name, and one continuity.
From Lesson 4: /ˈwɔ:ʔə/ and /gəʊɪn/ — name both accent features in exam voice.
From Lesson 2: which concept explains a speaker keeping home forms they could easily smooth away?
From Lesson 1: the four mark strands.
1. The six Section B toolkit names.
2. Why is "unfrequent"-style evidence a gift in an old text?
3. What do weaker candidates always miss in Section B?