A frightened village, a courtroom, and the question that still haunts us: how does a community turn on its own?
Need an easier version? Read this lesson at A2/B1 level →
Before we read, let's unlock the words you'll need. Each one is hidden in a sentence. Read it aloud and say what you think the bold word means from the rest of the sentence — then reveal it and see how close you were.
Read each part. After it, there's a quick comprehension check (try the questions from memory first), then one thing to discuss.
In the winter of 1692, in the small farming community of Salem Village, Massachusetts, two children began to behave in ways no one could explain. Betty Parris, aged nine, and her eleven-year-old cousin Abigail Williams threw themselves about, screamed, contorted their bodies and complained of being pinched and pricked by something unseen. Betty's father was the village minister, the Reverend Samuel Parris — a stern Puritan who preached often about the Devil at work in the world. When the local doctor could find no illness, he reached for the explanation his community already believed in: the girls, he suggested, were bewitched.
It is worth remembering how real this danger felt. To Salem's Puritans, the Devil was not a story but a living enemy who recruited human servants — witches — to do his work. The colony was uneasy in other ways too: there had been frontier warfare, smallpox, harsh winters and bitter quarrels between families. Fear was already in the air. So when the adults pressed the suffering girls to say who was tormenting them, the girls began to name names.
Among the first accused was Tituba, an enslaved woman in the Parris household. Under intense questioning she gave a long, dramatic confession, describing the Devil and hinting that other witches were at work in the village whom she could not name. That confession was the spark. If a confessed witch said there were others, then the hunt could not stop at one.
1. Who were the first two girls to fall ill, and how was their behaviour explained?
2. Why was Tituba's confession so dangerous for the village?
1. Betty Parris (the minister's daughter) and her cousin Abigail Williams. When the doctor found no physical illness, he and the community concluded the girls were bewitched.
2. Tituba, an enslaved woman, confessed and said there were other witches she could not name — which meant the accusations could not stop at one person and the hunt spread.
Through the spring of 1692 the accusations multiplied with terrifying speed. Neighbour accused neighbour; old grudges over land, money and pride found a deadly new outlet. To meet the flood of cases, the new governor, William Phips, created a special court — the Court of Oyer and Terminer ("to hear and to decide") — led by stern judges who were sure that witchcraft was loose in Salem.
The court's fatal flaw was the kind of proof it allowed. It accepted spectral evidence: the claim that the accused person's spirit, or "shape," had appeared to a victim and tormented them. By its very nature, no one else could see this shape — so a witness could simply say that a defendant's spirit had attacked them, and there was no way to disprove it. A cruel logic took hold. Those who confessed and named others were spared; those who professed their innocence were far more likely to be condemned. Honesty became the most dangerous choice of all.
Roughly two hundred people were accused. The first to be executed was Bridget Bishop, a sharp-tongued tavern-keeper whose independence had long made neighbours uneasy. Here it is worth clearing up the most stubborn myth about Salem. The condemned were not burned at the stake — that is a confusion with witch trials elsewhere in Europe. In Salem, nineteen people were hanged. One more, the elderly farmer Giles Corey, refused to enter any plea at all; the court tried to force one out of him by piling heavy stones on his body, and after three days he died beneath them. Several others, never even brought to trial, died in the colony's foul, crowded jails.
1. What was "spectral evidence," and why did it make the accused almost impossible to defend?
2. How did most of the condemned actually die — and how did Giles Corey's death differ?
1. It was the claim that the accused person's spirit or "shape" had appeared and harmed a witness. Because only the accuser could "see" it, no one could disprove it, so a simple claim could condemn a person.
2. Nineteen people were hanged (they were NOT burned — that is a common myth). Giles Corey refused to enter a plea and was pressed to death under heavy stones; several others died in jail.
By the autumn of 1692, doubt was finally catching up with fear. Respected ministers, among them Increase Mather, argued openly that spectral evidence was far too dangerous to hang anyone on — for the Devil, they warned, might take the shape of an innocent person. When accusations began reaching toward more powerful families, and even, it was said, the governor's own wife, Phips lost his nerve for the whole business. He forbade the court to accept spectral evidence, dissolved it, and a new court soon set the remaining prisoners free. By May 1693 the trials were over.
What followed was a long, uneasy reckoning. The colony had hanged nineteen of its own and crushed a twentieth, on evidence it now knew to be worthless. In 1697 one of the judges, Samuel Sewall, stood in his Boston church and let his apology be read aloud before the congregation. Years later, in 1706, Ann Putnam — one of the original accusers, a child during the panic — publicly recanted, saying she had been deceived and asking forgiveness of the families she had helped to ruin. The colony reversed convictions and, much later, paid compensation; Massachusetts did not formally clear all the names until the twentieth century.
Salem was not the largest witch hunt in history, nor the deadliest. But it has never loosened its grip on us, because of what it shows so clearly: how quickly fear, belief and old resentment can combine, how a court can be captured by panic, and how hard it is — once the accusations are flying — for anyone to simply say stop. Ever since, "a witch hunt" has been our shorthand for exactly that.
1. What finally brought the trials to an end?
2. How did Salem later try to face up to what it had done?
1. Leading ministers (such as Increase Mather) attacked the use of spectral evidence; as accusations reached powerful families, Governor Phips banned spectral evidence, dissolved the court and freed the remaining prisoners. The trials ended by May 1693.
2. Judge Samuel Sewall apologised publicly in 1697; the accuser Ann Putnam recanted in 1706; convictions were reversed and compensation eventually paid, though full clearing of names took centuries.
This is a story made of words — things people said, claimed, asked and swore. To retell it, you constantly report what others said: "She said she had seen a spirit." "They accused him of witchcraft." Get reported speech right and your retelling sounds natural and precise.
Turn each piece of direct speech into reported speech, beginning as shown.
1. "I am innocent." → She said that she innocent.
2. "I saw the Devil in the woods." → He said that he the Devil in the woods.
3. "We will not confess." → They said that they confess.
1. was (present → past)
2. had seen (past simple → past perfect)
3. would not (will → would)
Choose said or told, and convert the rest into reported speech.
1. "You are a witch." → She the court that her neighbour a witch.
2. "I have done nothing wrong." → He that he nothing wrong.
3. Direct accusation: "He hurt me with his spirit." → They him of hurting them with his spirit.
1. told / was (tell + someone)
2. said / had done (say, no person; present perfect → past perfect)
3. accused (accuse someone OF doing something)
Turn each question the judge asked into a reported question. Notice the word order changes and the question mark disappears.
1. "Do you confess?" → The judge asked she confessed.
2. "Why did you hurt the children?" → The judge asked her she the children.
3. "Who else is a witch?" → The judge asked who else a witch.
1. whether / if (yes/no question)
2. why / had hurt (keep the question word; backshift; normal word order)
3. was (no "did"; statement word order)
Reported speech is the backbone of any story about what people claimed and accused — exactly what you'll need when you retell Salem in the Speak tab.
You've read the story and you have the words — so now the real thing is within reach. There's a full podcast episode that tells this story in much greater depth, in natural, real-speed English.
From the Noiser podcast network. Hosted by historians, roughly 50 minutes.
Listen on Spotify →This is the heart of the lesson — do all four out loud. The timer is there to keep you going: fill the time with detail rather than escaping it.
Tell the story of the Salem witch trials in your own words, as if to someone who has never heard of them. Move through the arc: the afflicted girls → Tituba's confession → the spreading accusations → the special court and spectral evidence → the executions (remember: hanged, not burned) → the trials ending → the later reckoning.
Use reported speech deliberately, and at least five key words from the lesson (afflict, duress, denounce, spectral evidence, hysteria, scapegoat, profess, grudge, recant, reckoning).
How does mass fear take hold of a whole community? In Salem, old grudges, real fears and a belief in invisible enemies combined into hysteria. Build an argument about what makes a group turn on its own members — and what, if anything, can stop it once it starts.
We still use the phrase "witch hunt" today. Tell the story of any moment you can think of — historical or recent, public or personal — where people were accused, blamed or punished on weak evidence and shared panic. Use the same shape: how it began, how it spread, and how (or whether) it ended.
Stuck for an idea? Pick one of these and run with it: