SHORT STORIES, LONG SHADOWS · B2/C1 · 50 min

A Chameleon

Chekhov's story of a police inspector, a bitten finger, a small white dog — and an overcoat that comes off and goes back on as the truth keeps changing.

Today: you'll watch a man change his verdict five times in ten minutes without ever admitting it — and you'll master the adjectives and intensifiers that do the changing, from a fairly small dog to an absolutely tiny, utterly harmless pup.
Warm up — before we read. Talk these through out loud. There are no wrong answers.
Discuss:
  • Have you ever seen someone treated differently — in a shop, at a border, in an office — because of who they were or who they knew? What exactly changed?
  • Changing your mind when the facts change is a virtue. When does it become something else? Where is the line?
  • A chameleon changes colour to match its surroundings. What kind of person would you call a chameleon — and is it ever a compliment?

Now — the words for today's story

Ten words unlock the story. Work through the four activities — say your answer out loud before you reveal it.

A · What do they mean here? Work it out from the sentence

1. Behind him walked the constable, carrying a sieve full of gooseberries that had been confiscated from a market trader for some small offence.
to confiscate (v) — when someone in authority officially takes your property away, often as a punishment: the teacher confiscated his phone, customs confiscated the goods. Noun: confiscation.
2. The moment he heard the dog belonged to a general, his voice turned soft and sweet, he smiled at everyone, and he praised the animal as though it were royalty. His whole manner became sycophantic.
sycophantic (adj) — praising and obeying powerful people too much, to win their favour. Noun: a sycophant. Informal equivalents: a crawler, a yes-man, and the ruder a suck-up.
3. A minute ago he wanted the dog destroyed; now he was fawning over it, stroking its ears and calling it a clever little thing.
to fawn over / on (v) — to give someone exaggerated attention and praise in order to please them. The image is a dog wagging its tail at its master — which makes it especially funny here. (A fawn is also a baby deer: a different word.)

B · Which word means…?

Three words from the story: mongrel · pedigree · damages. Say the right word, then reveal.

1. Which word means money that a court orders someone to pay to a person they have harmed?
damages (n, plural) — to claim damages, to be awarded damages, to sue for damages. Careful: damage (uncountable) is the harm itself; damages is the money.
2. Which word means a dog whose parents were of different breeds — often used dismissively?
a mongrel (n) — neutral to insulting, depending on tone. Friendlier: a mixed breed, a mutt (AmE, affectionate). Also used insultingly about people — which is part of Chekhov's point.
3. Which word means a recorded line of pure-bred ancestors — of an animal or, figuratively, of a person or institution?
a pedigree (n) / pedigree (adj) — a pedigree dog; figuratively, a candidate with an impressive pedigree (background, record). The opposite of mongrel in the dog world.

C · Choose the meaning — a / b / c

1. "It only nipped him — look, there's hardly a mark." To nip is to…
  (a) bite deeply and hold on   (b) give a small, quick bite   (c) bark aggressively
(b) — to nip (v) = to bite or pinch lightly. Also very common in British English for a short trip: I'm just nipping to the shop. And the idiom to nip something in the bud = to stop a problem early.
2. "Look at it — thin, filthy, covered in fleas. A wretched animal!" Wretched here means…
  (a) dangerous and violent   (b) miserable-looking and worthless   (c) badly trained
(b) — wretched (adj) /ˈretʃɪd/ = very unhappy, or of very poor quality, or (as an insult) annoying: this wretched printer! Note the two syllables: wretch-id.

D · Word building & collocation

1. Ochumelov's overcoat comes off and goes on all through the story. English has a word, built on a piece of clothing, for a person who changes sides out of self-interest: a turn___. Complete it, and suggest why it might be built that way.
a turncoat (n) — a person who deserts one side for the other; the image is of turning your coat inside out to show different colours. Chekhov's title gives Russian its own word for the type: a chameleon.
2. Ochumelov feels hot, then cold, then hot again — depending on whose dog it is. Complete the idiom that means "keep changing your attitude, enthusiastic one moment and cool the next": to blow ___ and ___.
to blow hot and cold — "The investors have been blowing hot and cold about the deal all month." It fits the story almost too well: Chekhov literally gives his inspector the temperature changes.

Now use them — out loud

Talk it through before we read:
  • Using mongrel, pedigree, damages and fawn over, predict how a policeman's view of a dog bite might change when he learns who owns the dog.
  • Sort today's words: which carry a judgement (positive or negative), and which are neutral?

The story, in three parts

Chekhov's story, retold here in English and shortened, keeping his voice. Read each part. After it, there's a quick comprehension check (try the questions from memory first), then one thing to discuss.

Part 1 — A crime in the market square

Police Inspector Ochumelov is crossing the market square in a new overcoat, with a small parcel under his arm. Behind him walks a red-haired constable with a sieve full of confiscated gooseberries. All around is silence. The open doors of the shops and taverns look out at the world sadly, like hungry mouths; there are not even any beggars near them.

"So you bite, do you, you devil?" Ochumelov suddenly hears. "Don't let it go, lads! Biting isn't allowed these days! Hold it!" A dog yelps. Ochumelov looks round and sees a dog running out of Pichugin's timber yard on three legs, chased by a man in a starched cotton shirt and an unbuttoned waistcoat. The man throws himself forward, falls to the ground and seizes the dog by its back legs. In a moment a crowd has gathered, as if it had grown out of the earth.

At the gate stands the man in the waistcoat, holding up a bloody finger. On his half-drunk face is written: "I'll skin you alive for this, you scoundrel!" — and the finger itself looks like a flag of victory. Ochumelov recognises Khryukin the goldsmith. In the middle of the crowd, trembling all over, sits the cause of it all: a white borzoi puppy with a pointed nose and a yellow patch on its back. Its watery eyes are full of misery and terror.

"What's going on here?" demands Ochumelov, pushing into the crowd. "I was minding my own business, your honour," begins Khryukin, coughing into his fist, "and this low animal goes for my finger for no reason at all. I'm a working man. My work is delicate. I may not be able to use this finger for a week. I ought to be paid damages." "Hm… very well," says Ochumelov sternly. "I shan't let this pass. I'll teach them to let dogs run about loose! The owner will be fined, and the dog destroyed — at once. Yeldyrin, find out whose dog it is and write a report. Well? Whose dog is it?"

"I think it's General Zhigalov's," says someone in the crowd.

Quick check — answer from memory, then reveal:

1. What has happened to Khryukin, and what does he want?

2. What is Ochumelov's first decision — before he knows who owns the dog?

1. A small white puppy has bitten his finger. He shows the bloody finger to the crowd and asks for damages, because he says he cannot work for a week.

2. He is stern and official: the owner will be fined, the dog destroyed immediately, and the constable must write a report.

Discuss:
  • Chekhov tells us the puppy is trembling, and that Khryukin's finger looks like "a flag of victory". Whose side does the narrator seem to be on so far? How can you tell?

Part 2 — The coat comes off, the coat goes on

"General Zhigalov's? Hm! Yeldyrin, take my coat off for me… It's terribly hot!" He turns to Khryukin. "There's one thing I don't understand. How could it bite you? It's a tiny little dog, and you're a great big man! You probably scratched your finger on a nail and then had the bright idea of getting some money out of it. I know your sort, you devils!"

"He pushed a cigarette in its face for a joke, your honour," says someone in the crowd, "and it wasn't stupid — it bit him." "Liar!" shouts Khryukin. "His honour is a clever gentleman; he knows who's lying. And my own brother is in the police, if you want to know…" "Silence!"

"No, that's not the general's dog," says the constable thoughtfully. "The general's dogs are all pointers." "Are you sure?" "Quite sure, your honour." "I knew it myself. The general's dogs are expensive, pedigree animals, and this — what is it? No coat, no shape, nothing. A wretched, mangy little mongrel! Who would keep a dog like that? Khryukin, you've been hurt, and you mustn't let this pass. These people need to be taught a lesson."

"But perhaps it is the general's," the constable thinks aloud. "I saw one just like it in his yard the other day." "Hm! Yeldyrin, help me on with my coat, brother… there's a wind getting up. I feel quite cold. Take the dog to the general's and ask there. Say I found it and sent it. It may be a valuable dog, and if every pig pushes a cigarette up its nose, it'll soon be ruined. A dog is a delicate creature. And you, you idiot, put your hand down! There's no need to show everyone your stupid finger. It's your own fault!"

Quick check — answer from memory, then reveal:

1. How does Ochumelov's view of Khryukin change when he hears the dog may be the general's?

2. When the constable says the general's dogs are pointers, how does Ochumelov describe the puppy — and what happens to his opinion a second time?

1. Khryukin turns from victim to suspect: the dog is "tiny", so he must have cut his finger on a nail and invented the bite to get money.

2. As a wretched, mangy mongrel that no general would own — so Khryukin is a victim again. Then the constable says it might be the general's after all, and the dog becomes valuable and "delicate", and Khryukin becomes an idiot whose fault it was.

Discuss:
  • Every time his opinion changes, Ochumelov finds a reason that sounds logical. Choose one of his arguments and say what is wrong with it.

Part 3 — The general's cook

"Here's the general's cook. We'll ask him," says someone. "Hey, Prokhor! Come here! Look at this dog. Is it yours?" "What an idea! We've never had one like that in our lives!" "Then there's no need to ask any more," says Ochumelov. "It's a stray. If I say it's a stray, it's a stray. It must be destroyed, and that's the end of it."

"It isn't ours," Prokhor goes on. "It belongs to the general's brother, who arrived the other day. Our master doesn't care for borzois. His brother is fond of them." "His brother? Vladimir Ivanich has arrived?" asks Ochumelov, and his whole face fills with a smile of tender emotion. "Well, fancy that! And I didn't know! So this is his dog? Delighted. Take it… It's not a bad little pup at all… a lively little thing… Snapped at this fellow's finger! Ha-ha-ha… Come, why are you trembling? Grr… grr… angry, the little rascal… such a sweet little pup."

Prokhor calls the dog and walks away with it. The crowd laughs at Khryukin. "I'll get you yet!" Ochumelov threatens him, and, wrapping himself in his overcoat, he continues on his way across the market square.

Quick check — answer from memory, then reveal:

1. What does the cook say first, and what does Ochumelov immediately decide?

2. Who really owns the dog, and how does the story end for the dog, Khryukin and Ochumelov?

1. That the general has never had a dog like that — so Ochumelov declares it a stray to be destroyed, with total confidence.

2. The general's brother. The dog is taken home as a "sweet little pup"; Khryukin is laughed at and threatened; Ochumelov wraps himself in his coat and walks on as if nothing has happened.

Discuss:
  • The crowd laughs at Khryukin — not at Ochumelov. Why? What does that tell you about how power works in this square?

Grammar — gradable, extreme & loaded adjectives

Ochumelov never says "I've changed my mind". He changes his adjectives. The same dog is tiny, wretched, valuable, delicate and sweet within ten minutes. To do that convincingly in English, you need to know which intensifiers go with which kind of adjective.

Gradable vs extreme adjectives:
• Gradable adjectives have degrees — small, hot, cold, angry, bad, valuable. Use very, extremely, really, rather, fairly, a bit, slightly: "It's very small." "I'm a bit cold."
• Extreme (non-gradable) adjectives already contain "very" — tiny, boiling, freezing, furious, awful, priceless. Use absolutely, utterly, completely, totally: "It's absolutely tiny." Not very tiny.
• Really and pretty work with both: really small, really tiny.
• Quite changes meaning! With gradable: quite small = fairly small. With extreme or absolute adjectives: quite ridiculous, quite sure = completely.
Loaded adjectives (C1). Many adjectives describe the same fact and carry opposite judgements: thin → slim → skinny → scrawny; lively → boisterous → wild; cautious → timid → cowardly. Order matters too — opinion before fact: a sweet little pup, a wretched, mangy little mongrel. In speech, piling up two or three evaluative adjectives is how you show strong feeling; in writing, one well-chosen adjective usually does more.

1. Gradable or extreme? Choose the right intensifier

Write very or absolutely in each gap. Then say aloud why the other word would sound wrong.

1. "It's a small dog. How could it reach your finger?"

2. "Take my coat off — it's boiling today!"

3. "A general keep a dog like that? The idea is ridiculous!"

4. "If it is the general's dog, it is a valuable animal."

1. very (small is gradable: "absolutely small" sounds wrong)   2. absolutely (boiling is extreme: "very boiling" sounds wrong)   3. absolutely (ridiculous is extreme)   4. very (valuable is gradable; the extreme form is priceless)

2. Same dog, different words — make it extreme

Replace the gradable phrase with absolutely + an extreme adjective. Write only the adjective.

1. The puppy was very small. → It was absolutely

2. Khryukin was very angry. → He was absolutely

3. If it's the general's dog, it's very valuable. → It's absolutely

1. tiny (or minute /maɪˈnjuːt/)   2. furious (or livid)   3. priceless (or invaluable — careful: this means very valuable, not "without value")

3. Write the police report — twice

Constable Yeldyrin writes the report as if the dog were a stray. Choose the word that fits each gap; then read it aloud again, changing every adjective as if the dog belonged to the general.

At noon a (mangy / pedigree), (wretched / delicate) little mongrel attacked the goldsmith Khryukin without the (slightest / smallest) reason. The wound was (extremely / absolutely) serious, and the victim was (very / utterly) furious. The Inspector, who was (quite / slightly) certain of the facts, ordered the animal to be destroyed.

mangy · wretched · slightest · extremely · utterly · quite

The general's version might begin: "At noon a delicate, valuable little pedigree pup playfully nipped the goldsmith Khryukin, who had foolishly provoked it…" — same facts, opposite story. Note: quite certain = completely certain, because certain is an absolute.

Hold on to these structures — in the Speak tab you'll narrate the story and then describe the same thing twice, as a flatterer and as a critic.

Going deeper

Anton Chekhov published "A Chameleon" in 1884, the year he qualified as a doctor, in the comic weekly Oskolki ("Fragments"), under one of his early pen names, A. Chekhonte. He was twenty-four and was writing short comic sketches at great speed to support his family. The sketch has never stopped being read: in Russian, a person who changes their opinions to suit whoever has power is still called a chameleon, and the story has been taught in Russian schools for over a century.

The craft. Chekhov never tells us what to think of Ochumelov; he gives him an overcoat. Every time the dog's owner changes, the inspector's temperature changes — too hot, take it off; a wind is getting up, put it back on — and we see the change of opinion before he speaks. The structure is a pattern repeated five times — new information, new verdict, new adjectives — and the comedy grows because we learn to predict it. The names do quiet work too: Ochumelov echoes a Russian word for being stupefied, and Khryukin the grunt of a pig. The whole story is told in the present tense, like a scene on a stage. And notice who is never seen: the general. He never appears, never speaks, never asks for anything. He doesn't need to. Power in this square works entirely through other people's fear of him.
Talk it through:
  • Count how many times Ochumelov's verdict changes. Which change is the funniest, and why?
  • Khryukin is not innocent either — he may have pushed a cigarette into the dog's face, and he boasts that his brother is in the police. Is anyone in this story sympathetic, apart from the dog?
  • The general never appears. What would the story lose if he walked into the square at the end?
  • Chekhov wrote this as a quick comic sketch for money. Why do you think it has lasted for 140 years?

Speak

This is the heart of the lesson — do all of it out loud. The timer is there to keep you going: fill the time with detail rather than racing through it.

Useful language: lean on today's grammar — absolutely tiny, utterly ridiculous, a rather sad little dog, quite impossible. To describe the changes: "At first he claimed that…", "The moment he heard…, he…", "He did a complete U-turn", "Suddenly it was a completely different story".
Time remaining: 4:00
Task A · Narrate the whole story (4 minutes)

Tell A Chameleon as if to someone who has never read it, and make every change of mind visible — including the coat. Move through the arc: the empty square and the gooseberries → the shout and the bloody finger → "fined and destroyed" → "the general's?" — coat off → "a mangy mongrel" → "perhaps it is the general's" — coat on → the cook: "not ours" → "the general's brother!" → the sweet little pup, the laughing crowd, the coat wrapped tight.

Use at least three extreme adjectives with absolutely / utterly, quite in both meanings, and at least five key words (confiscate, sycophantic, fawn over, mongrel, pedigree, damages, nip, wretched, turncoat, blow hot and cold).

Task B · Villain or victim? (4 minutes)

Build an argument. One reading: Ochumelov is a contemptible coward who would destroy an innocent animal — or ruin an innocent man — to please his superiors. Another: he is a small official trapped in a system where one wrong word about a general could end his career, doing only what everyone around him does. Take a side, give three reasons, deal with the strongest objection, and say what Ochumelov would have done if the general's brother had been the one bitten.

Then argue the opposite for one minute — the harder direction is where the language comes from.

Task C · Chameleons today (4 minutes)

The story is about how opinions bend towards power. Talk about where that happens now.

Stuck for an idea? Pick one of these and run with it:

  • Describe the same thing twice for ninety seconds each — a city, a colleague, a meal — first as a flatterer, then as a critic. Your partner counts the loaded adjectives.
  • A politician's famous U-turn. Was it a sensible change of mind or chameleon behaviour? How do you tell the difference?
  • "Do you know who I am?" — stories of people expecting special treatment because of who they know. Does it still work?
  • Office life: can you get ahead without ever agreeing with the boss when you don't really agree?
  • Online opinions that change with the crowd. Do social media make us more like Ochumelov, or less?
  • Is changing your opinion a strength or a weakness in your culture? Give an example of each.

To finish — the bigger questions

  1. The story ends with Ochumelov walking on across the square exactly as he began. Will he ever change? What would it take?
  2. Chekhov makes us laugh at a man who is, in the end, deciding whether a living creature should die. Is the comedy cruel, or is it the best way to make the point?
  3. Who in public life would you call a chameleon? Be fair: what pressure are they under?
  4. Before you go — from memory: describe the dog three ways — with a gradable adjective + very, with an extreme adjective + absolutely, and with two loaded adjectives in the right order — and explain why very tiny sounds wrong.