Leo Tolstoy's story of patience, faith, and the hardest act of forgiveness in literature.
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Ten words unlock the story. Work through the four short activities — say your answer out loud before you reveal it.
Three words from the story: accuse · confess · pardon. Match each definition to the right word — out loud, then reveal.
Read each part. After it, there's a quick comprehension check (try the questions from memory first), then one thing to discuss.
In the town of Vladimir lived a young merchant named Ivan Dmitrich Aksionov. He had two shops and a house of his own, a wife and small children, and everything a man could wish. He was handsome, fair-haired, full of fun and very fond of singing. One summer he prepared to travel to the great fair at Nizhny to sell his goods. As he said goodbye, his wife stopped him: "Ivan Dmitrich, do not start today. I had a bad dream about you — I dreamed you returned from the town, and when you took off your cap, your hair was quite grey." Aksionov laughed. "You are afraid I shall spend too much at the fair. Dreams mean nothing." And he drove away.
Halfway to the fair he met a merchant he knew, and they put up at the same inn for the night, drank tea together, and slept in adjoining rooms. Aksionov rose before dawn — he liked to travel in the cool of the day — paid his bill, and drove on. Some forty kilometres further, he stopped to feed the horses; and there, as he rested on the porch of an inn, a troika drove up with an official and two soldiers. The official began to question him: who was he, where from, where had he spent the night, had he seen the other merchant that morning? Aksionov answered everything openly, wondering at so many questions — until the official said plainly: the merchant he had shared the inn with had been found dead, and his money was gone. The official ordered Aksionov's luggage searched — and from his bag the soldiers drew out a knife that was not his. "Whose knife is this? How came it in your bag?" Aksionov tried to answer and could not: his voice broke, his face was pale, and he shook with fear like a guilty man. "I don't know — I — it is not mine —"
Nothing could save him. His money was taken as evidence; he was tried and convicted. His wife was allowed to visit him once before he was sent away. When she saw him in prison clothes, she fell senseless; then, recovering, she drew her children to her and asked him one question, quietly: "Vanya, tell me the truth — was it not you who did it?" "So you, too, believe it!" said Aksionov. He covered his face with his hands and wept. When his family had gone, he said to himself: "It seems that only God can know the truth. It is to Him alone we must appeal; from Him alone expect mercy." And from that time, Aksionov wrote no more petitions, gave up all hope in men, and only prayed.
1. What is Aksionov's life like at the start — and what warning does he laugh away?
2. What single question hurts Aksionov more than the court's verdict — and why?
1. A happy, prosperous one: two shops, a house, a young family, a cheerful nature. His wife begs him not to travel because she dreamed his hair had turned grey; he laughs the dream off and goes.
2. His own wife's question: "Was it not you who did it?" Even she is not sure of his innocence. From that moment he decides that only God can know the truth — he stops appealing to human justice and turns entirely to prayer.
Aksionov was sent to Siberia, and there he lived and worked for twenty-six years. His hair turned white as snow, and his beard grew long, thin and grey — exactly as in his wife's dream. All his cheerfulness was gone; he stooped as he walked, spoke little, never laughed, and prayed often. In the camp he learned to make boots, and with the money he earned he bought a book of the Lives of the Saints, which he read when there was light enough. On Sundays he read the lessons and sang in the choir, for his voice was still good. The authorities liked him for his quiet ways; the other men respected him deeply — they called him "Grandfather" and "the man of God", and when there were quarrels among them, it was to Aksionov they came to settle their disputes fairly. No news ever reached him from home. He did not even know whether his wife and children were still living.
One day a new group of convicts arrived at the camp. Among them was a tall, strong man of about sixty, with a clipped grey beard, called Makar Semyonich — talkative, boastful, from the town of Vladimir itself. Hearing the newcomer name his town, Aksionov asked whether he knew the merchant family Aksionov. "Know them? Of course! Rich people — though their father is in Siberia, a sinner like ourselves, it seems!" And when he heard the old man's name, Makar started, slapped his knee, and cried: "Well, this is wonderful! Truly wonderful — how old you have grown, Grandfather!" The others asked him where he had seen Aksionov before; Makar only laughed and turned the question aside. A thought went through Aksionov like a blade: perhaps this was the very man. Little by little, from the man's dropped hints and evasions, Aksionov became certain of it: Makar Semyonich knew everything about that night at the inn, twenty-six years ago — because he had been there.
Old memories rose up in Aksionov and gave him no peace. He remembered his young wife as she was when he last saw her; he remembered his little children; he remembered himself, young and merry, sitting on the inn porch with his guitar. And here he was now, white-haired, at the end of a life spent for another man's deed. Some nights he could not pray at all; on others he could not stop. For two weeks he avoided Makar Semyonich, and could not sleep, and did not know what to do with the misery inside him.
1. What kind of man has Aksionov become after twenty-six years in Siberia?
2. Who is Makar Semyonich, and what does Aksionov gradually realise about him?
1. A white-haired, quiet, deeply religious old man — the camp's "Grandfather" and "man of God", boot-maker, choir singer, and the trusted judge of the other men's disputes. His old cheerfulness is entirely gone.
2. A loud newcomer from Aksionov's own town. From his startled reaction to Aksionov's name and his evasive hints, Aksionov becomes certain that Makar was at the inn that night — and is the true culprit of the deed Aksionov has spent his life paying for.
One night, Aksionov could not sleep and walked through the camp. Under one of the sleeping shelves he saw earth being scattered — and Makar Semyonich crept out from beneath it. Makar seized his hand in the dark: he was digging a tunnel under the wall, he whispered, carrying the earth out in his boots each day; if the old man kept silent, he would take him along — but if he told, the guards would show no mercy, and Makar would make him answer for it. Aksionov trembled with anger, drew his hand away, and said only: "I have no wish to escape, and you have no need to threaten me. You killed my life long ago. As for telling — I shall do as God directs me."
The next day the tunnel was discovered. The governor came and questioned every prisoner. All denied knowledge, for those who knew would not betray Makar Semyonich, knowing he would be punished terribly. At last the governor turned to Aksionov, whom he knew to be a truthful man. "You are old and honest," he said. "Tell me, before God: who dug the hole?" Here it was, at last — the moment of repayment. Aksionov glanced at Makar Semyonich, who stood as if he were not concerned at all. Why should I protect him? Aksionov thought. Let him pay for what I have suffered. But then another thought came: what good would it do? "I cannot say, your honour," he answered at last. "It is not God's will that I should tell. Do what you like with me; I am in your hands." And however the governor pressed him, Aksionov would say no more, and the matter had to be left.
That night, as Aksionov lay half-asleep, someone came quietly and sat at the foot of his shelf. It was Makar — and he was weeping. He knelt down. "Ivan Dmitrich, forgive me! For the love of God, forgive me! It was I who did it that night at the inn — I hid the knife in your bag and escaped through the window. I will confess to them; they will release you; you can go home." "It is easy for you to talk," said Aksionov, "but where could I go now? My wife is dead, my children have forgotten me. I have nowhere to go…" Makar Semyonich did not rise. He beat his head on the floor. "Forgive me!" he cried. "When they flogged me it was not so hard to bear as it is to look at you now… yet you had pity on me and did not tell. For Christ's sake, forgive me!" And when Aksionov heard him sobbing, he wept too. "God will forgive you," he said. "Maybe I am a hundred times worse than you." And at these words his heart grew suddenly light, and the longing for home left him. He no longer had any desire to leave the prison, but only hoped for his last hour. In spite of everything Aksionov had said, Makar Semyonich confessed his guilt. But when the order for release came, Aksionov was already dead.
1. Aksionov holds Makar's fate in his hands twice. What does he do each time?
2. What happens after Aksionov says "God will forgive you" — to Makar, and to Aksionov himself?
1. First, discovering the tunnel, he refuses to escape but does not report it. Second, when the governor asks him directly — his one chance to repay twenty-six years — he says only "It is not God's will that I should tell," and protects the man who ruined him.
2. Makar, broken by this mercy, kneels, confesses everything, and begs forgiveness. Aksionov forgives him — and feels his heart grow light at last; the longing for home leaves him. Makar confesses officially, but when the pardon arrives, Aksionov has already died — at peace.
Twenty-six years is the measure of this story — time that begins in the past and stretches into the present. That is exactly the territory of the present perfect: He has been in Siberia for twenty-six years. He has not seen his family since that summer.
Complete each story sentence with for or since.
1. Aksionov has been in Siberia twenty-six years.
2. He has heard nothing from home the day he was sent away.
3. The other men have trusted him as their judge many years now.
1. for (a length of time) 2. since (a starting point) 3. for (a length)
Complete each sentence with the present perfect of the verb in brackets.
1. "How long you (know) this prisoner?" the governor asked the guards.
2. Makar (carry) a heavy secret since that night at the inn.
3. Aksionov (not / see) his children since they were small.
1. have · known (How long have you known…?)
2. has carried
3. has not seen / hasn't seen
Fill each gap with the present perfect of the verb in brackets, or for/since. Read the whole paragraph aloud when you finish.
Aksionov (live) in the camp more than half his life. He (make) boots, read his book, and settled disputes the year he arrived. Makar, meanwhile, (keep) his secret for twenty-six years — until tonight.
has lived · for · has made · since · has kept
Notice how the present perfect keeps all this time connected to now — the story's whole weight sits in that tense.
Hold on to this — in the Speak tab you'll talk about long stretches of your own life: how long you've known, lived, worked and waited.
Tolstoy wrote this story in 1872, for a reading book he made for village school children — he considered it among the best things he ever wrote, and retold its core idea again in his final novel. It is built like a parable: simple words, enormous weight.
This is the heart of the lesson — do all of it out loud. The timer is there to keep you going: fill the time with detail rather than racing through it.
Tell the story of God Sees the Truth, But Waits in your own words, as if to someone who has never heard it. Move through the arc: the happy merchant and the dream → the inn and the accusation → the wife's question → twenty-six years in Siberia → Makar's arrival → the tunnel and the governor's question → "God will forgive you" — and the ending.
Use the present perfect with for/since at least twice and at least five key words (merchant, innocent, accuse, confess, pardon, culprit, dispute, consolation, forgiveness, justice).
Aksionov forgives the man who cost him everything — and only then finds peace. Build an argument: is forgiveness like his a strength or a surrender? When is forgiving the right thing, and is anything unforgivable? Use the story as your first case, then one from history or your own observation.
The title says the truth waits. Talk about patience and time — using the present perfect where it fits.
Stuck for an idea? Pick one of these and run with it: