O. Henry's tale of a homeless man who tries everything to get arrested for the winter — and of the one plan he never made.
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Each new word is hidden in a sentence. Read it aloud and say what you think the bold word means from the rest of the sentence — then reveal it and see how close you were.
Read each part. After it, there's a quick comprehension check (try the questions from memory first), then one thing to discuss.
On his bench in Madison Square, Soapy stirred uneasily. When wild geese honk high at night, and when a man feels the chill of winter in his bones, you may know that winter is near. A dead leaf fell into Soapy's lap. That was Jack Frost's card, and Soapy understood it well: it was time to find shelter for the cold months ahead.
Soapy was a homeless man, and every year, as the weather turned, he made the same plan. He had no wish to beg for charity, and he had no love of the countryside. What he wanted was three months of warmth and regular meals, safe from the north wind. And every year, the answer was the same: Blackwell's Island, the city prison. There, at least, a man had a roof and a bed and company.
To get there, of course, a man had to be arrested. So Soapy, destitute and shivering, formed his simple intention. He would commit some small misdemeanour — nothing cruel, nothing violent — and a police officer would do the rest. A warm cell for the winter seemed to him a perfectly reasonable refuge. All he had to do was get caught.
1. What sign tells Soapy that winter is coming, and what does he want for the cold months?
2. What is Soapy's plan for finding shelter, and where does he hope to end up?
1. A dead leaf falls in his lap — "Jack Frost's card." He wants three months of warmth, food and shelter from the winter cold.
2. He plans to commit a small offence so that he will be arrested and sent to Blackwell's Island prison, where he'll have a warm cell for the winter.
Soapy set to work. First he strolled towards a grand restaurant, meaning to eat a fine dinner and then calmly announce he could not pay — a small swindle that would surely bring a policeman. But at the door the head waiter's eye fell on his frayed trousers and ruined shoes, and strong hands turned him quietly out onto the pavement. No dinner, no arrest.
Next he picked up a stone and shattered a shop window, then stood proudly beside it, waiting for the law. When the officer came running, Soapy was sure his moment had arrived. But the policeman refused to believe that the man who broke a window would wait around to be caught, and he chased instead after someone hurrying for a tram. Soapy walked away, disgusted.
So it went, again and again. He ate a modest meal in a cheaper place and confessed he had no money, hoping to be handed to the police — but the waiters simply threw him into the gutter and turned their backs with cold contempt. He behaved badly on a busy corner to be charged with disorder — but a passing officer took him for a harmless student and left him alone. Every plan he made backfired. The city, it seemed, was serenely indifferent to his crimes, and the warm cell stayed as far away as ever.
1. Describe two of the things Soapy tries in order to get himself arrested.
2. Why does each attempt fail? What is the pattern?
1. Any two: he tries to eat at a grand restaurant without paying; he smashes a shop window and waits; he eats at a cheap place and admits he can't pay; he behaves badly ("disorderly") on a busy corner.
2. Each time the world refuses to punish him — he's thrown out before he can offend, the officer suspects someone else, the waiters won't call the police, he's mistaken for a harmless student. The more he tries, the more it backfires.
Cold and defeated, Soapy drifted back towards Madison Square. Then, from the open door of an old church, he heard music — an organ playing a sweet, familiar anthem. He stopped. The tune carried him back to the person he had once been: a life with a mother, with friends, with clean thoughts and honest hopes, before the streets had worn him down.
A wonderful change came over him. He was disgusted with the life he had fallen into. In that moment a new resolve rose in him: he would pull himself out of the mud. Tomorrow he would go into the roaring downtown district and find work. A man had once offered him a job; he would find that man. He would be someone in the world again. For the first time in years, Soapy meant to make an honest plan and keep it.
As he stood there, filled with this bright new intention, he felt a hand on his arm. He turned to see the broad face of a policeman. "What are you doing here?" the officer asked. "Nothing," said Soapy. "Then come along," said the policeman. The next morning, at the police court, the magistrate spoke the sentence: three months on Blackwell's Island. Soapy had got exactly what he had chased all winter — at the very moment he had finally decided he no longer wanted it.
1. What does Soapy hear outside the church, and how does it change him?
2. What is the final twist of the story?
1. He hears an organ playing an anthem. It reminds him of his better, honest past and fills him with a resolve to change his life and find work.
2. At the exact moment he decides to go straight, a policeman arrests him for loitering, and he is sentenced to three months on Blackwell's Island — the very thing he'd tried and failed to achieve all winter.
This whole story runs on plans that don't come true. When we look back and describe a future that was expected at some point in the past — a plan, an intention, something on the edge of happening — English uses a special set of forms. Master them and you can tell any story of plans that go wrong.
Read the meaning in brackets and complete the sentence.
1. Soapy spend the winter in a warm cell, so he set out to get arrested. (a deliberate plan)
2. He leave the restaurant without paying when the waiter spotted his ragged clothes. (on the very edge of it)
3. He told himself that from tomorrow he find honest work. (a future seen from that past moment)
1. planned to (a deliberate, chosen plan; "was going to" also works)
2. was about to (right on the edge — the next moment)
3. would (future-in-the-past: looking forward from that moment)
Each sentence uses the right structure but the wrong form of the verb after it. Write the corrected verb.
1. He was going to (breaks) a window and wait beside it for the police.
2. Soapy was about (confessing) that he had no money when the waiter threw him out.
3. He decided that he would (found) the man who once offered him a job.
1. break (was going to + base verb)
2. to confess (was about + to + base verb)
3. find (would + base verb)
Fill each gap with was going to, was about to, planned to or would (in a form that fits). Read it aloud once you're done.
All winter, Soapy get himself arrested so he could sleep in a warm cell. Then the anthem changed him. He resolved that the next day he find honest work and start again. He walk home with his new plan when a policeman took him by the arm — and the winter in prison he no longer wanted was suddenly his.
planned to / was going to (a deliberate plan) · would (future-in-the-past) · was about to (on the very edge)
Notice how the whole irony lives in these forms: a plan he chased (planned to), a new plan for the future (would), and the exact moment it all turned over (was about to).
Hold on to these four — you'll need them in the Speak tab, where the whole point is to tell a story of a plan that didn't go as expected.
A great short story keeps working on you after the last line. Before you talk, here's what to turn over in your mind.
This is the heart of the lesson — do all of it out loud. The timer is there to keep you going: fill the time with detail rather than escaping it.
Tell the story of "The Cop and the Anthem" in your own words, as if to someone who has never heard it. Move through the arc: the falling leaf and Soapy's plan for the winter → attempt after attempt to get arrested, all backfiring → the anthem outside the church and his sudden resolve to change → the twist, when the arrest finally comes.
Use the grammar to carry the plans that go wrong: was going to, was about to, planned/meant to and would. Work in at least five key words (destitute, charity, refuge, misdemeanour, swindle, contempt, indifferent, backfire, anthem, resolve).
Some readers find the ending unbearably cruel; others find it perfect. Which are you? Build an argument: is O. Henry punishing Soapy, pitying him, or simply showing us how the world works? Would the story be better, or weaker, with a happy ending? Defend your view.
Tell a story — real or imagined — about a plan that didn't go the way anyone expected. Lean on the grammar: what someone was going to do, what they planned to do, the moment they were about to succeed or fail, and what they told themselves they would do next.
Prefer not to use something personal? Pick one of these and run with it: