SHORT STORIES, LONG SHADOWS · B2/C1 · 50 min

The Emperor's New Clothes

Hans Christian Andersen's tale of a vain ruler, two clever swindlers, and the one voice honest enough to break the spell.

Today: you'll retell one of the world's most famous tales — the story of a ruler who is fooled because no one dares to tell the truth — and you'll master reported speech, the structure English uses to say what other people claimed, promised and admitted.
Warm up — before we meet the story. Talk these through out loud with your teacher.
Discuss:
  • Have you ever agreed with a group even though, deep down, you disagreed? What made it so hard to speak up?
  • Why do people sometimes praise something — a film, a plan, a piece of work — that they secretly think is bad?
  • Who, in your experience, is most likely to say the awkward truth out loud: a child, an expert, or an outsider? Why?

Now — the words for today's story

Each new word is hidden in a sentence. Read it aloud and say what you think the bold word means from the rest of the sentence — then reveal it and see how close you were.

1. The two swindlers took his money in advance, promised him a fortune, and then quietly vanished before anyone realised the deal was fake.
a swindler (n) — a person who cheats others out of money by deception; a con artist.
2. He was so vain that he changed his outfit six times a day and could not pass a mirror without stopping to admire himself.
vain (adj) — excessively proud of your own appearance, abilities or importance.
3. The tailors set up their empty loom and pretended to weave, moving the shuttle back and forth through threads that were not there.
a loom (n) — a machine or frame used for weaving cloth from thread.
4. They claimed the cloth had one magical property: it was invisible to anyone who was stupid or unfit for their job.
a property (n) — a special quality or characteristic that something has.
5. Rather than admit he saw nothing, the minister decided to pretend — nodding, smiling, and praising the beauty of the empty air.
to pretend (v) — to behave as if something is true when you know it is not.
6. Terrified of looking foolish, every official flattered the emperor, telling him the invisible robes were the finest he had ever worn.
to flatter (v) — to praise someone too much or insincerely, often to please them or gain an advantage.
7. A grand procession moved slowly through the streets — trumpeters, guards and the emperor himself, walking for all the crowds to see.
a procession (n) — a line of people or vehicles moving forward in an orderly, often ceremonial, way.
8. No official dared contradict the others; to break ranks and disagree in public felt far too dangerous for a career.
to contradict (v) — to say the opposite of what someone else has said; to deny or challenge it.
9. The whole crowd was under a kind of delusion — a false belief they all shared, each too afraid to be the first to doubt it.
a delusion (n) — a false belief held firmly, especially one shared or maintained against the evidence.
10. One clear, honest voice can shatter a shared lie in a second, breaking the spell so completely that everyone suddenly sees the truth.
to shatter (v) — to break something suddenly and completely; here, to destroy an illusion in an instant.

Now use them — out loud

Talk it through before we read:
  • Using swindlers, vain, pretend and flatter, predict: how do you think two cheats might fool a proud ruler?
  • Which of these words describe the tricksters, and which describe the victims of the trick? Sort them out loud and say why.

The story, in three parts

Read each part. After it, there's a quick comprehension check (try the questions from memory first), then one thing to discuss.

Part 1 — The vain emperor and the tempting offer

Many years ago there lived an emperor who cared for nothing in the world so much as fine new clothes. He spent all his money on his wardrobe, and while other rulers were often to be found in council or at war, this one was almost always in his dressing room, admiring himself. He had a different coat for every hour of the day.

One day two swindlers came to the city. They told everyone that they were weavers of the most extraordinary skill, and that they could make a cloth of astonishing beauty. But the fabric, they explained, had one remarkable property: it was completely invisible to anyone who was hopelessly stupid, or who was unfit for the post they held. The emperor was delighted. Such a cloth, he thought, would let him see at a glance which of his officials were fools and which were wise.

He handed the two men a great sum of gold and the finest silk and thread, and told them to begin at once. The swindlers set up two looms and pretended to work, though the frames stood entirely empty. They asked for more silk and more gold, which they slipped into their own bags, and late into the night they sat before the bare looms, weaving nothing at all.

Quick check — answer from memory, then reveal:

1. What did the emperor care about more than anything else?

2. What "magic property" did the swindlers claim the cloth had, and why did this idea appeal to the emperor?

1. Fine new clothes — he spent all his money and time on his wardrobe, admiring himself.

2. They said the cloth was invisible to anyone stupid or unfit for their post; the emperor liked the idea because it would reveal which of his officials were foolish or incompetent.

Discuss:
  • The swindlers' trick works because of the emperor's own vanity and fear. How does a good con exploit what its victim already wants to believe?

Part 2 — The officials who dare not admit the truth

Time passed, and the emperor grew curious about the cloth. He wanted to see it, but he felt strangely uneasy: what if he himself saw nothing? He decided to send his oldest and most trusted minister first — an honest man, everyone agreed, and certainly clever enough for his post. The old minister went into the workshop, and his eyes went wide with alarm. The looms were empty. He could see absolutely nothing.

But he did not dare say so. "Am I stupid?" he thought. "Am I unfit for my office?" Rather than confess, he studied the empty air, praised the colours and the pattern, and reported to the emperor that the cloth was truly magnificent. Soon a second official was sent, and then a third; each saw nothing, each was terrified of what that meant, and each returned singing the praises of the wonderful, invisible fabric. The whole court now spoke of nothing but the marvellous new cloth.

At last the emperor went to see it for himself, surrounded by his finest officials. He looked at the empty looms — and felt a cold shock of fear, for he too saw nothing at all. But he could not admit it in front of everyone. "It is beautiful," he declared. "It has our highest approval." And all his courtiers, who also saw nothing, nodded and agreed and repeated to one another how exquisite it was, though not one of them could see a single thread.

Quick check — answer from memory, then reveal:

1. Why did each official praise the cloth even though they could see nothing?

2. How did the emperor himself react when he finally looked at the empty looms?

1. Each feared that seeing nothing meant they were stupid or unfit for their post, so rather than confess, they pretended the cloth was magnificent.

2. He too saw nothing and was frightened, but he could not admit it in front of his court, so he declared the cloth beautiful — and everyone agreed.

Discuss:
  • Each person stayed silent because they assumed everyone else could see the cloth. How does a lie grow stronger the more people repeat it?

Part 3 — The child who says what everyone can see

The swindlers announced that the clothes were finally ready. They mimed lifting the garments from the loom, held up their empty hands, and helped the emperor "dress", removing his real clothes and pretending to fit each invisible piece. The emperor turned this way and that before the mirror. "How well it suits him!" everyone cried. "What a perfect fit!" Two servants stooped to lift a train that was not there, and carried it carefully behind him as the grand procession began.

So the emperor walked through the streets under a rich canopy, wearing nothing at all, while crowds lined the route. Everyone had heard about the wonderful cloth that only fools could not see, so everyone called out how splendid the new clothes were. No one would admit to seeing nothing, because no one wanted to be thought a fool. Never had the emperor's clothes been so admired.

Then a small child, who knew nothing of the story and had nothing to lose, said in a clear little voice, "But he has nothing on!" The father tried to hush the boy, but the words passed from person to person through the crowd — "A child says he has nothing on!" — until at last the whole city was saying it aloud. The emperor felt a shiver, for he suspected they were right. But he thought, "The procession must go on," and he walked all the prouder, while his servants carried the train that was not there.

Quick check — answer from memory, then reveal:

1. Why did the crowds in the street praise the emperor's clothes?

2. Who finally spoke the truth, and why was that particular person able to say it?

1. They had all heard that only fools could not see the cloth, so no one wanted to admit seeing nothing; each praised the clothes to avoid looking stupid.

2. A small child, who did not know the story and had nothing to lose, simply said what he saw: "But he has nothing on!" The truth then spread through the whole crowd.

Discuss:
  • The emperor keeps walking even after he suspects the truth. Why is it sometimes harder to stop a lie once it has started than never to begin it?

Grammar — reported speech

This whole story is built on what people said — what the swindlers claimed, what the officials reported, what the child cried out. When we retell those words rather than quote them exactly, we use reported (indirect) speech. Master it and you can tell any story about what other people said.

The core rule — "backshift". When the reporting verb is in the past (said, told, claimed, admitted), the tense of the original words usually moves one step back:
• present simple → past simple: "It is invisible" → They said it was invisible.
• present continuous → past continuous: "We are weaving it" → They claimed they were weaving it.
• present perfect → past perfect: "I have seen it" → He said he had seen it.
• will → would · can → could · must → had to: "The cloth will be ready" → They said it would be ready.
Other shifts. Pronouns and time/place words also change to fit the new speaker and moment: I → he/she, we → they, my → his/her, now → then, today → that day, here → there, this → that.
say vs tell: tell needs a person object (He told the emperor…); say does not (He said that…).
Questions: use asked + if/whether or a question word, and change to normal word order: "Can you see it?" → She asked whether he could see it.

1. Backshift the tense

Rewrite each quotation as reported speech. Write only the missing words in the gap.

1. "The cloth is invisible to fools." → The swindlers said that the cloth invisible to fools.

2. "I can see nothing." → The old minister would not admit that he nothing.

3. "We have finished the clothes." → The swindlers announced that they the clothes.

1. was (present simple → past simple)

2. could see (can → could)

3. had finished (present perfect → past perfect)

2. say or tell?

Complete each sentence with the correct form of say or tell.

1. The minister the emperor that the pattern was exquisite.

2. Every courtier that the robes were magnificent.

3. The child's father tried to him to be quiet.

1. told (tell + person object: "told the emperor")

2. said (say + that, no person object)

3. tell (tell + him: person object)

3. Report the moment — complete the paragraph

Turn the quoted words into reported speech. Fill each gap with the correct backshifted verb (the original is in brackets). Read it aloud when you're done.

The swindlers claimed that the cloth (is) the finest ever made. Each official reported that he (have seen) a beautiful pattern. Then a child cried out that the emperor (has) nothing on, and the father asked whether the crowd (can hear) what the boy had said.

was · had seen · had · could hear

Notice the backshift: is → was, have seen → had seen, has → had, can → could.

Hold on to reported speech — you'll need it in the Speak tab, where you retell what the swindlers, the officials and the child all said.

Going deeper

Andersen published this tale in 1837, and almost two centuries later its title has become a phrase people use everywhere — in politics, business and everyday life — whenever an obvious truth goes unspoken because no one dares be the first to say it.

Why it endures. On the surface it is a comic story about a silly, vain ruler. But its real subject is the pressure of the crowd: the way an entire group can maintain a lie, not because anyone truly believes it, but because each person is afraid of being the only one to doubt it. The child is powerful precisely because he has no position to protect. The story leaves us with an uncomfortable question — in that court, or in that crowd, which one would you have been?
Talk it through:
  • The swindlers designed the cloth to be "invisible to anyone unfit for their post." Why is that condition so clever — how does it trap people into lying about what they see?
  • The child tells the truth not because he is braver than the adults, but because he does not yet understand the danger. Is honesty easier when you have nothing to lose? What does that say about the adults?
  • "The Emperor's New Clothes" is now used as a phrase for any situation everyone can see but no one will name. Where have you seen this happen — in a workplace, a group of friends, public life?
  • Notice the very end: even after he suspects the truth, the emperor keeps walking, prouder than ever. Why do you think Andersen chose not to let him stop? What is he saying about pride and power?

Speak

This is the heart of the lesson — do all of it out loud. The timer is there to keep you going: fill the time with detail rather than rushing through it.

Useful language: tell the story with reported speech — The swindlers claimed that…, The minister reported that he had seen…, The emperor declared that it was…, The child cried out that…, The father asked whether…. For opinions, reach for: "What's striking is…", "You could argue that…", "It's no accident that…", "On one level… but on another…".
Time remaining: 4:00
Task A · Retell the whole story (4 minutes)

Tell the story of The Emperor's New Clothes in your own words, as if to someone who has never heard it. Move through the arc: the vain emperor → the two swindlers and their "magic" cloth → the officials who dare not admit they see nothing → the grand procession → the child who cries out the truth.

Lean hard on reported speech: what the swindlers claimed, what each official reported, what the emperor declared, what the child said. Work in at least five key words (swindlers, vain, loom, property, pretend, flatter, procession, contradict, delusion, shatter).

Task B · Would you have spoken up? (4 minutes)

Imagine you are an official at that court, and you see nothing on the looms while everyone around you praises the cloth. Would you have said what you saw, or kept quiet? Build an argument for what you would really have done, and be honest about why — the cost of speaking up, the safety of the crowd.

Task C · A modern "emperor's new clothes" (4 minutes)

The phrase now describes any situation everyone can see but no one will name. Describe a modern example and explain who plays which role — the swindlers, the fearful officials, the child who finally speaks.

Prefer not to make it personal? Pick one of these and run with it:

  • A product, trend or fashion that lots of people praised even though many privately thought it made no sense.
  • A famous "expert" or leader whose confidence made people go along with something they doubted.
  • A film, book or piece of art that "everyone" admired — but you're not sure how many truly did.
  • A moment in history when a whole group repeated something false because no one wanted to be the first to object.
  • A situation where an outsider or a newcomer pointed out the obvious thing insiders had stopped noticing.
  • A time a simple, honest question suddenly broke the spell in a room.

To finish — the bigger questions

  1. The swindlers never actually lie about the cloth being visible — they simply set a condition and let people's fear do the rest. Is that more or less dishonest than a plain lie?
  2. The child breaks the spell, but the emperor keeps walking anyway. Does the truth actually change anything in this story, or only who feels foolish?
  3. Nearly 200 years on, why do you think this small tale is quoted so often? What does it capture about people that a longer, more realistic story might miss?
  4. Before you go — from memory: report three things characters said, using claimed, admitted and asked — and check your backshift each time.