SHORT STORIES, LONG SHADOWS · B2/C1 · 50–60 MIN

The Lottery Ticket

A married couple spend ten minutes believing they are rich—and discover what money can destroy before it even exists.

Adapted for B2/C1 from Anton Chekhov's 1887 story

Memory first

Have a go without notes; uncertainty is useful here.

  1. Explain the difference between “I bought a ticket” and “I checked the ticket.”

    A ticket introduces one unspecified ticket. The ticket identifies the particular ticket already mentioned or understood: “I bought a ticket. Later, I checked the ticket.”
  2. Give one general statement with zero article: “Money…”

    One possible answer: “Money can change relationships.” Uncountable nouns take no article when we mean them generally.
  3. Choose: “They dreamed of a/the house they had never seen.” Explain.

    Usually a house: it is being introduced and is not yet identified. Use the house only if both people already know which specific house is meant.
Today: you'll track how one imagined fortune changes a relationship and use articles to introduce, identify and generalise.
Content note: This psychological story contains marital resentment but no violence.

Six words that unlock the story

Say what each word might mean before turning the card.

windfallwindfall — an unexpected amount of money or good fortune
instalmentinstalment — one of several payments made over time
indulgeindulge — to allow yourself an enjoyable luxury
resentmentresentment — anger caused by feeling unfairly treated
suspicionsuspicion — a feeling that something may be wrong or dishonest
disillusionmentdisillusionment — disappointment after discovering reality is less good than believed
Prediction: Read only the title and subtitle. Build two possible plots using at least four of the six words. Make one realistic and one extreme.

The story in three movements

After each movement, answer from memory before revealing the response. The turn remains hidden until you commit to a prediction.

1 · The series number

After supper, Ivan Dmitritch sat on the sofa reading the newspaper. He was a comfortable man with a comfortable income, and he had never believed in lotteries.

His wife, Masha, was clearing the table.

“I forgot to look at today's numbers,” she said. “My ticket is in series 9,499, number 26.”

“We have more chance of being struck by lightning.”

Nevertheless, Ivan turned to the results. His eyes moved down the printed columns without interest—then stopped.

“Masha. Series 9,499 is here.”

She froze with a plate in her hand. “What number?”

Ivan covered the line with his finger before reading further. The prize was seventy-five thousand roubles. The final ticket number lay hidden beneath his hand.

He began to laugh. Masha put down the plate and sat beside him. The final number was still hidden beneath Ivan's finger. For the moment, the possibility was enough.

The clock ticked on the wall. Outside, someone crossed the courtyard and a gate closed. These ordinary sounds seemed to come from the life they were about to leave. Even Ivan's dislike of lotteries now appeared sensible only for people who had never seen their own series printed in the newspaper.

“Our number is 26,” Masha whispered.

“There is plenty of time to check.”

The newspaper rested between them. For the first time in years, the future did not look like a continuation of the present. Seventy-five thousand roubles waited under one finger, and the small sitting room seemed unable to contain it.

Answer from memory

Why does Ivan delay checking the final number?

The uncertainty is pleasurable. While the number remains hidden, he can enjoy the fortune without reality taking it away.

2 · A future already divided

Ivan leaned back and began to arrange the money. Twenty-five thousand for an estate. Ten thousand for furniture, travel and immediate pleasures. The rest safely invested.

He could already see the estate: a broad garden after rain, a river shining beyond the trees, children playing on pale sand. On summer afternoons he would lie beneath a lime tree and do nothing because nothing needed to be done.

“We could buy somewhere in the country,” Masha said.

“Yes,” he answered, though her voice had entered his private picture like an unexpected guest.

Perhaps he would travel first. Italy, India, the south of France. He pictured railway stations and foreign hotels—then pictured Masha beside him, worried about luggage, complaining about food, refusing to spend money. No. Travel would be easier alone.

In his imagination he moved through warm foreign streets in a light summer coat. Masha, meanwhile, became heavier, slower and more anxious with every mile. He felt ashamed of the picture for only a second; then the freedom inside it seemed too pleasant to surrender.

He glanced at her. She was looking at the newspaper with an expression he did not recognise. Of course, the ticket was hers. She might hide the money. Her relatives would arrive with soft voices and hard-luck stories. They would take and take until nothing remained.

Masha looked back at him. She seemed to understand. Her eyes said that he was already planning to escape with her prize.

Only ten minutes earlier they had been husband and wife after an ordinary supper. Now each possessed a future in which the other had become expensive, inconvenient and difficult to remove.

Ivan felt irritated by the room, by the plates and by Masha's silence.

“We should check the number,” she said.

Answer from memory

At what point does “their prize” become “his money” or “her ticket”?

The shift occurs when each imagines using the prize independently and starts treating the other person's desires as a threat.

Stop and predict. Give the most likely ending and the most surprising ending that still fits the evidence.

3 · Number 46

Ivan took up the newspaper. The pleasure of uncertainty had gone. Now he wanted the result to punish Masha for the suspicious look in her eyes.

He found the line again and read the number aloud with deliberate care.

“Series 9,499, number 46. Not 26.”

The imagined estate vanished. The river, the warm sand and the foreign hotels disappeared as quickly as breath from glass. Masha stood and began clearing the table again.

Ivan let the paper fall onto his knees. The room looked low and dark. Supper seemed to have left a greasy smell in the air. He noticed crumbs on the tablecloth, a crack in one plate and the tired way his wife moved between the table and the cupboard.

“What a miserable house,” he said. “There is paper everywhere. Nothing is ever cleaned.”

Masha did not answer. A few minutes before, seventy-five thousand roubles had appeared to promise them the whole world. It had bought nothing, changed nothing and never belonged to them. Yet while it existed in their minds, it had allowed each of them to look into the other's secret future.

She folded the tablecloth with sharp, economical movements. Ivan heard accusation in every plate she placed in the cupboard. Neither mentioned the estate or the journey. Those places had vanished, but the versions of husband and wife who had inhabited them remained in the room.

Now they knew what they had seen there.

Ivan lifted the newspaper again, but the print would not hold his attention. The life he had found acceptable before supper suddenly seemed narrow and unbearable.

Answer from memory

What have they lost if they never possessed the money?

They have lost their comfortable illusions about themselves, each other and the life they share.

Grammar — articles & reference

a / an

Masha bought a ticket.

Introduce one non-specific countable thing.

the

Ivan checked the ticket.

Refer to something already identified or uniquely understood.

zero article

Money changes people.

Generalise with plural or uncountable nouns.

Mixed practice

Complete all six before revealing. Explain the choice, not only the missing words.

A neighbour left ___ envelope by the door; later Masha opened ___ envelope.

They imagined buying ___ estate in ___ countryside.

___ money in their fantasy felt more real than ___ coins in Ivan's pocket.

___ wealth can create ___ freedom, but it can also create suspicion.

Ivan wanted to take ___ journey without his relatives.

After ___ result, ___ room looked smaller.

  1. an; the — An introduces the envelope before a vowel sound; the refers back to that identified envelope.
  2. an; the — An introduces one imagined estate; the countryside is the conventional expression for the rural environment.
  3. The; the — Both noun phrases are specific: the imagined money and the particular coins in Ivan's pocket.
  4. —; — — No article is used because wealth and freedom are uncountable ideas discussed generally.
  5. a — A introduces one non-specific journey.
  6. the; the — Both are identifiable from the story: the published result and the room already established.

Teach it back

Explain the three form cards in your own words, then create one true, one invented and one story-based example.

Reconstruct the turn

Write four sentences that explain the final turn while using at least three target structures. Then say the same explanation without reading.

Going deeper

Suspended information

Chekhov hides two digits and lets imagination become the main action.

Free indirect thought

The narration slips into Ivan's private fantasies without announcing every thought.

Emotional reversal

A shared dream becomes a private battle before the ticket is checked.

Anti-climax

The losing number ends the fantasy but cannot repair what the fantasy exposed.

Effect verbs
suspendsexposescorrodesinternalisesdeflates
Build both sides: Does imagined wealth reveal the couple's true character, or temporarily distort two otherwise ordinary people?

A short analysis

Give your answer first. Then reveal a model and identify one idea you handled differently.

The fantasy exposes genuine selfishness because neither partner invents the other's behaviour from nothing. However, Chekhov also shows how uncertainty magnifies small resentments. The unearned fortune creates a temporary world in which every private irritation appears decisive.

Speak

Fill the time with connected ideas. Use the target grammar to make the meaning more precise.

Time remaining: 4:00
Task A · The ten-minute transformation

Retell how a ticket becomes the ticket, then how money changes the room before it exists.

Task B · Reveal or distort?

Argue both interpretations of the couple: the fantasy reveals them; the fantasy corrupts them.

Task C · The unopened message

Invent a message whose contents could change a life. Describe what different people imagine before it is opened.

Final retrieval

  1. Retell the story's turn in two sentences without looking back.
  2. Produce three new examples of today's grammar, each with a different meaning.
  3. Name two techniques and explain their effect with precise verbs.
  4. Which activity changed or clarified your understanding most? Why?
I can retell.I can reconstruct the story without reading.
I can choose the form.I can explain why the target grammar fits.
I can analyse.I can connect a technique to its effect.
I can transfer.I can use the grammar beyond this story.