SHORT STORIES, LONG SHADOWS · B2/C1 · 50 min

The Queen of Spades

Alexander Pushkin's tale of a careful man, a secret of three cards, and the price of wanting a shortcut.

Today: you'll tell the story of a cautious man consumed by one idea — and you'll master verb and adjective patterns with a preposition + -ing: dream of winning, insist on playing, be obsessed with knowing.
Warm up — before we read. Talk these through out loud. There are no wrong answers — the point is to start thinking about the ideas the story plays with.
Discuss:
  • Why are people so drawn to shortcuts — the lottery ticket, the "guaranteed" investment, the secret formula? What's the appeal beyond the money itself?
  • Can a very careful, disciplined person be more at risk from temptation than a careless one? How?
  • Do you believe in lucky numbers, lucky objects or rituals? Where do these beliefs come from?

Now — the words for today's story

Ten words unlock the story. Work through the four short activities — say your answer out loud before you reveal it.

A · What do they mean here? Work it out from the sentence

1. He watched the others play until dawn but never touched a card himself — he was far too prudent to risk the little he had.
prudent (adj) — careful and sensible, avoiding unnecessary risks. Noun: prudence.
2. From the moment he heard the anecdote, the idea gave him no peace — day and night, one single obsession filled his mind.
an obsession (n) — an idea that dominates your mind and won't let go. Adjective: obsessed (with).
3. The old lady had been a famous beauty sixty years before; now she ruled her household from an armchair, a difficult, imperious countess.
a countess (n) — an aristocratic title; a noblewoman of high rank.

B · Which word means…?

Three words from the story: fortune · ward · stake. Match each definition to the right word — out loud, then reveal.

1. Which word means a great amount of money?
a fortune (n) — "He hoped the three cards would win him a fortune." Also: to inherit a fortune.
2. Which word means a young person who lives under the care and authority of a guardian?
a ward (n) — Lizaveta is the Countess's ward: an orphaned young woman living in her household, dependent on her.
3. Which word means the money you risk on a single bet or game?
a stake (n) — "He placed his entire stake on a single card." Verb: to stake everything on…

C · Choose the meaning — a / b / c

1. "Hermann began to court Lizaveta with daily letters." Here, to court someone is to…
  (a) take them to a court of law   (b) try to win their affection, in an old-fashioned way   (c) teach them
(b) — to court = to romance someone formally. But Hermann's courtship hides another motive entirely.
2. "The dead Countess appeared to him in a vision and named the three cards — an apparition he could not explain." An apparition is…
  (a) a ghostly appearance   (b) a legal document   (c) a piece of furniture
(a) — an apparition = a ghost or ghost-like vision. Pushkin leaves it open whether it is real or imagined.

D · Word building & collocations

1. You know to gamble. Complete the family: the person ("a compulsive ___"), the activity ("addicted to ___"), and the everyday metaphor ("taking this job is a real ___").
a gambler · gambling · "a real gamble" (any risky decision). The story is literature's sharpest portrait of how a non-gambler becomes one.
2. You know secret (n). Make the adjective ("a ___ staircase") and the adverb ("she read the letter ___").
secret (adj — same word: "a secret staircase") · secretly. The plot runs on secrets: a secret of cards, secret letters, a secret entrance.
3. Collocation check: which verbs fit? "___ a secret" (tell it), "___ a promise" (fail to keep it), "___ your mind" (become unable to think normally)."
reveal a secret · break a promise · lose your mind. All three happen in tonight's story — in that order.

Now use them — out loud

Talk it through before we read:
  • Using prudent, obsession, secret and stake, predict: how might a careful man be undone by a card game he never plays?
  • Which of today's words belong to the world of money, and which to the world of the mind? Sort them out loud — and notice which appear in both.

The story, in three parts

Read each part. After it, there's a quick comprehension check (try the questions from memory first), then one thing to discuss.

Part 1 — The anecdote

One winter night in St Petersburg, a group of young officers sat up late over cards at the house of Narumov. Among them was Hermann, a young engineer of German descent — a man who watched the play with intense interest, night after night, but never touched a card. "The game fascinates me," he would say, "but I am not in a position to sacrifice the necessary in the hope of winning the superfluous." He lived on his pay, allowed himself not the slightest luxury, and his three ruling principles were calculation, moderation and industry.

That night, Tomsky told the company a curious story about his grandmother, the old Countess Anna Fedotovna. Sixty years ago in Paris, she had been a celebrated beauty — and had lost an enormous sum at cards, on her word of honour, to the Duke of Orléans. Her husband refused to pay. In despair, she turned to a remarkable friend — the Count Saint-Germain, a man about whom so many marvellous stories were told. He gave her no money. Instead, he confided to her a secret: three cards which, played one after the other in three consecutive games, could not lose. She played them that same evening — three, seven, ace, or so the family whispered — won everything back, and from that day to this had never revealed the secret to anyone. She had told it, the story went, to only one man in her life, and he had died soon after.

"A fairy tale," said Hermann. "Chance! A joke!" said the others, and the party broke up at dawn. But the anecdote had entered Hermann's mind, and it would not leave. That evening he found himself wandering the streets of Petersburg — and stopping, without quite knowing how, in front of an old mansion. "Whose house is this?" he asked a watchman. "The Countess Anna Fedotovna's," the man replied. Hermann stood staring at the lighted windows. The secret was inside that house. He dreamed all night of cards, green tables, and heaps of banknotes; and by morning the prudent engineer had begun, quietly, to plan.

Quick check — answer from memory, then reveal:

1. What kind of man is Hermann, and what are his three ruling principles?

2. What is the Countess's secret, and how did she get it?

1. A careful, disciplined young engineer who watches the card games with fascination but never plays: he will not risk "the necessary in the hope of winning the superfluous". His principles are calculation, moderation and industry.

2. A sequence of three cards that supposedly cannot lose, given to her sixty years ago in Paris by the mysterious Count Saint-Germain after she lost a fortune at cards. She has revealed it to only one person in her life.

Discuss:
  • Hermann calls the story a fairy tale — and cannot stop thinking about it. Why do the most rational people sometimes fall hardest for an irrational idea?

Part 2 — The letters and the empty promise

In the Countess's household lived Lizaveta Ivanovna, her young ward — an orphan with a bitter position: dressed like a lady, treated like a servant, scolded for every draught and every delay, and quite invisible to the fashionable world. From his post in the street, Hermann began to watch the house — and Lizaveta noticed the young officer who appeared, day after day, gazing up at her window. Then came the letters: tender, respectful, and increasingly passionate. Lizaveta, lonely and unnoticed all her life, resisted, wavered — and finally answered. In her reply she explained how a visitor might enter the house unseen while the household was away at a ball: the small back staircase, the study, the two doors.

On the appointed night, Hermann slipped into the house. But he did not take the staircase to Lizaveta's room. Instead, he hid himself in the Countess's study and waited, hour after hour, until the old lady returned from the ball and her maids had left her. Then he stepped out before her. "Do not be alarmed," he said. "I have come only to beg a favour of you: the secret of the three cards." The Countess stared at him in silence. "It was a joke," she said at last. "I swear to you it was a joke." "It is no joke," Hermann pressed on, growing desperate. He pleaded; he reasoned; he promised to guard the secret; at last, losing all control of himself, he demanded it — and drew from his pocket an unloaded pistol, only to frighten her. At the sight of it the old woman raised her hands before her face — and sank back in her chair. The shock had been too much for her heart. The Countess was dead, and her secret, if there had ever been one, had died with her.

Hermann went up at last to Lizaveta's room — and told her everything. She listened in horror. The letters, the devotion, the romance: all of it had been a means to reach the old lady and her three cards. "You are a monster," she whispered, through tears. Hermann said nothing. He felt no remorse where she looked for it; what tormented him was not the deceived girl but the lost secret — the irrecoverable loss of the thing that was to have made his fortune. Before dawn, Lizaveta showed him the hidden staircase, and he walked out of the silent house.

Quick check — answer from memory, then reveal:

1. What is Lizaveta's position in the household, and why does she answer Hermann's letters?

2. What actually happens on the night Hermann enters the house?

1. She is the Countess's ward — an orphan treated as an unpaid companion, scolded constantly and ignored by society. Lonely and unnoticed, she is gradually won over by the daily letters of an admirer who seems devoted to her.

2. Instead of going to Lizaveta, Hermann hides in the Countess's study and confronts the old lady, demanding the secret. When pleading fails he frightens her with an unloaded pistol — and the shock stops her heart. She dies without revealing anything, and Hermann confesses to Lizaveta that the courtship was only ever a route to the cards.

Discuss:
  • Hermann never lies to himself — he knows exactly what he is doing to Lizaveta and does it anyway, step by step. Where exactly did the careful man cross the line: the first letter, the staircase, the study, or earlier still?

Part 3 — Three, seven… queen

Three days later, Hermann attended the Countess's funeral — telling himself it was prudent to ask her forgiveness, so that her memory would not trouble him. As he bent over the coffin, it seemed to him that the dead woman glanced at him mockingly, with one eye half-closed. He turned pale and stumbled. That night, unable to sleep, he heard footsteps — and a figure in white entered his room. "I have come to you against my will," the apparition said, "but I am ordered to grant your request. The three, the seven and the ace will win for you, played one after the other, on three conditions: that you stake on only one card each day, that you never play again as long as you live — and that you marry my ward, Lizaveta Ivanovna." And the figure was gone. Hermann wrote it all down. Three. Seven. Ace. The words drove out every other thought. Seeing a young girl, he would say to himself: how slender — like the three of hearts. Every stout man reminded him of the ace. The three cards bloomed in his dreams in every possible shape.

A famous banker, Chekalinsky, had come to Petersburg — a man who had dealt cards all his life and made millions. Hermann appeared at his table one evening, a total stranger to the company, and asked to play. He staked forty-seven thousand roubles — his whole inheritance, the capital he had never once touched — on a single card: the three. The company stared; Chekalinsky smiled and dealt. The three won. Hermann took his winnings and left. The next evening he returned: the entire sum — ninety-four thousand — on the seven. The seven won. The room fell silent when he appeared on the third evening. Everyone left their own games to watch. He placed all of it — nearly two hundred thousand — on one final card, and the deal began.

"The ace wins," said Hermann, and turned his card. "Your queen loses," said Chekalinsky gently. Hermann stared. In his hand, where the ace should have been, stood the queen of spades. He could not believe his eyes — how had he drawn the wrong card? And at that moment it seemed to him that the queen of spades narrowed her eyes and smiled at him — a face suddenly, impossibly, like the old Countess's. "The old woman!" he cried out in terror. Everything he had was gone. Hermann never recovered. He sits now in Room 17 of the Obukhov hospital, answering no questions, murmuring the same words over and over, unusually fast: "Three, seven, ace! Three, seven, queen!" And Lizaveta Ivanovna — the story notes calmly — has since married a pleasant young man with a good position in the civil service.

Quick check — answer from memory, then reveal:

1. What three conditions does the apparition attach to the secret — and which does Hermann keep?

2. What happens on the third night at the card table?

1. One card per day; never gamble again afterwards; and marry Lizaveta. He honours the first while it suits him, and shows no sign of intending the other two — he thinks only of the cards.

2. Having won twice on the three and the seven, he stakes everything on what he believes is the ace — but the card in his hand is the queen of spades, which seems to wink at him with the Countess's face. He loses everything and ends in the hospital, endlessly repeating "Three, seven, ace! Three, seven, queen!"

Discuss:
  • Did Hermann pick up the wrong card by accident, or was the queen waiting for him? Pushkin allows both readings — which do you choose, and what changes depending on your answer?

Grammar — verb / adjective + preposition + -ing

Hermann dreams of winning, insists on knowing, and is obsessed with finding the secret. When a verb or adjective is followed by a preposition, the next verb takes the -ing form — a pattern that unlocks dozens of natural English expressions.

Verb + preposition + -ing:
• dream of travelling · think about moving · insist on paying · succeed in passing · apologise for interrupting · give up / carry on + -ing
Example: "She succeeded in getting the job." / "He insisted on checking every detail."
Adjective + preposition + -ing:
• obsessed with collecting · capable of learning · afraid of flying · interested in cooking · tired of waiting · responsible for organising
Remember: after the preposition, ALWAYS -ing, never the infinitive. ✗ "dream of to win" → ✓ "dream of winning".

1. Complete the pattern

Fill each gap with the preposition + the -ing form of the verb in brackets.

1. Every night, Hermann dreamed (win) a fortune at the green table.

2. The Countess was no longer capable (remember) — or so she claimed.

3. Hermann insisted (learn) the secret, whatever the cost.

1. of winning   2. of remembering   3. on learning

2. Build the sentence

Complete each sentence with the correct pattern from the box: obsessed with · succeeded in · gave up · tired of + the verb in brackets.

1. After Tomsky's anecdote, Hermann became (discover) the three cards.

2. Lizaveta was (be) invisible in the Countess's house.

3. On the first two nights, Hermann (double) his money — twice.

1. obsessed with discovering

2. tired of being

3. succeeded in doubling

3. Hermann's confession — complete the paragraph

Fill each gap with the correct preposition + -ing form. Read the whole paragraph aloud when you finish.

I was always proud (be) a careful man. I never dreamed (risk) my inheritance. But one story changed everything: I could not stop (think) about those cards. I even apologise now (deceive) an innocent girl. In the end I was incapable (see) anything but three, seven, ace.

of being · of risking · thinking (stop + -ing, no preposition needed) · for deceiving · of seeing

Note the odd one out: "stop" takes -ing directly. The rest all need their preposition first.

Hold on to these patterns — the Speak tab is full of dreams, plans and obsessions, and every one will need its preposition + -ing.

Going deeper

Pushkin — Russia's national poet — wrote this story in 1833, and it electrified Petersburg: gamblers reportedly began staking on three, seven and ace the week it appeared. Tchaikovsky later turned it into a famous opera. It is often called the most perfectly constructed short story in Russian.

The heart of it. Pushkin's masterstroke is keeping two explanations alive at once. Read one way, it is a ghost story: the Countess returns, grants the secret, and the winking queen is her revenge for the broken conditions. Read the other way, nothing supernatural happens at all: an over-disciplined mind, starved of everything it denied itself, finally cracks — the "apparition" is a dream, and the wrong card is the simple, fatal slip of a man too feverish to see straight. Both readings arrive at the same ending: Room 17. The deeper irony is that Hermann never wanted to gamble — he wanted certainty, a system, a world without risk. The queen of spades is what the universe says to people who demand guarantees.

Talk it through:
  • Ghost story or psychological study? Argue both sides, then commit to one — and identify the single scene that most supports your reading.
  • Hermann is ruined by the very qualities that made him admirable: discipline, patience, calculation. How can virtues become dangerous? Can you think of a modern example?
  • The final line dismisses Lizaveta into a comfortable marriage in a single sentence. Is Pushkin being kind to her, careless of her, or quietly ironic about how the world moves on?
  • The apparition's three conditions were modest: restraint, retirement, and responsibility to Lizaveta. Why is it fitting that these — not the cards — are what Hermann fails?

Speak

This is the heart of the lesson — do all of it out loud. The timer is there to keep you going: fill the time with detail rather than racing through it.

Useful language: lean on today's grammar — dreamed of winning, insisted on knowing, obsessed with finding, incapable of stopping. For opinions, reach for: "What's striking is…", "You could argue that…", "It's no accident that…", "On one level… but on another…".
Time remaining: 4:00
Task A · Tell the whole story (4 minutes)

Tell the story of The Queen of Spades in your own words, as if to someone who has never heard it. Move through the arc: the careful engineer who never plays → Tomsky's anecdote → the letters to Lizaveta → the night in the study → the funeral and the midnight visitor → three, seven — and the queen.

Use at least three preposition + -ing patterns (dreamed of winning, insisted on knowing, obsessed with…) and at least five key words (prudent, obsession, countess, ward, stake, fortune, court, apparition, gambler, secret).

Task B · The psychology of the shortcut (4 minutes)

Hermann didn't want to gamble — he wanted a guarantee. Build an argument: why are "systems", "secrets" and get-rich-quick promises so persuasive, even to intelligent people? Use Hermann as your first case, then a modern one (crypto schemes, "one weird trick", miracle diets — your choice). What is the reliable warning sign that a shortcut is really a trap?

Task C · The idea that wouldn't let go (4 minutes)

The story is a portrait of a single idea taking over a mind. Talk about fixation — seriously or lightly — using today's grammar.

Stuck for an idea? Pick one of these and run with it:

  • A goal you (or someone you know) couldn't stop thinking about. Did the fixation help or harm?
  • A hobby that grew from interest into mild obsession — collecting, a game, a sport, a series.
  • A "lucky" ritual or number you half-believe in. Where did it come from?
  • A time you were tempted by a shortcut — and took it, or didn't. What happened?
  • A character from film or history destroyed by one fixed idea. Compare them with Hermann.
  • The healthiest obsession you can imagine — is there such a thing?

To finish — the bigger questions

  1. Three of the story's characters get endings: Room 17, a good marriage, and the grave. Who, if anyone, gets justice? Rank the endings by fairness.
  2. Pushkin never confirms whether the three cards ever held real power. Does a "system" need to be real to destroy someone who believes in it?
  3. If Hermann had won on the third night, what would the rest of his life have looked like? Would the ending have been happier — or only slower?
  4. Before you go — from memory: make three sentences about Hermann using dream of + -ing, insist on + -ing and obsessed with + -ing — and explain why the -ing form follows the preposition.