PERSEPOLIS · BOOK CLUB · MEETING 2 OF 4 · B2/C1 · 50 min

The Girl and the Revolution

A ten-year-old in Tehran watches her country change almost overnight. What was it like — and how do you talk about political history without a textbook?

← A Book Told in Pictures  ·  The whole series  ·  Home and Away →

Today: you'll understand the revolution and war that shape the book, and use three levels of question — what happened, why, so what — to discuss history without a textbook, so you can ask better questions and give richer answers in any group.
Before we start — talk these through:
  • What is the biggest historical change your family has lived through? What stories do people tell about it?
  • Do you learn more about history from textbooks, or from people's stories, films and books? Why?
  • How would you explain a big political event to a ten-year-old?

The vocabulary of this story

Ten items. Say your answer out loud before you reveal it.

A · What do they mean here? Work it out from the context

Read the sentence, guess the meaning of the word in bold, then reveal.

The sudden upheaval left families struggling to understand the new rules that governed their lives.
upheaval (noun) — a sudden, violent or very disruptive change, especially in society.
The new regime decided how people should dress, what they could read and whom they could meet.
regime (noun) — a government, especially a strict one that people did not freely choose.
Under the repression, anyone who criticised the government risked being arrested.
repression (noun) — the use of force or fear to control people and stop them from speaking or acting freely.
She was already known as a dissenter: someone who would not simply agree with what she was told.
dissenter (noun) — a person who publicly disagrees with an official opinion or authority.

B · The mood of the times

Same method: guess from the sentence, then reveal.

The slogans on the walls repeated the same short phrases until they became part of the background.
slogan (noun) — a short, memorable phrase used to promote a cause, a product or a political idea.
There was a mood of fervour in the street: people shouted, sang and marched with great passion.
fervour (noun) — intense, passionate feeling, especially about a belief or cause.
After years of censorship, she kept her favourite music and magazines hidden under the bed.
censorship (noun) — the official banning or cutting of books, films, music or ideas that the authorities do not approve of.

C · Living through it

Three words for what ordinary people experienced. Guess, then reveal.

The family's defiant little parties — music, dancing and forbidden drinks at home — were a quiet way of saying no.
defiant (adjective) — openly refusing to obey or respect authority.
The nights of bombing were a long ordeal that the whole city had to endure.
ordeal (noun) — a very difficult or painful experience that lasts a long time.
With hindsight, the adult author can see the dangers that the child did not.
hindsight (noun) — understanding an event only afterwards, when you can see the whole picture.

Now use them — out loud

Before we read:
  • Describe a time when the mood in a place changed quickly. What were the signs?
  • Where do you see slogans in your daily life? Which ones work, and which do not?
  • Tell us about a small act of defiance that you admire.

The story, in three parts

Read each part. After it, answer the quick check from memory, then discuss one question.

Part 1 — 1979: the old world ends

For decades Iran had been ruled by a king, the Shah. By the late 1970s many Iranians were angry: about the secret police, about the gap between rich and poor and about the lack of political freedom. Protests grew through 1978. In January 1979 the Shah left the country, and within months the monarchy was replaced by an Islamic Republic.

It was a real upheaval. People from very different backgrounds — students, workers, religious leaders, left-wing families — had demanded change, and at first many celebrated. Marji's family, who held left-wing, educated views, were among those who hoped that the new Iran would be freer.

The book follows this moment through a child's eyes. Marji does not understand the politics, but she notices the changes: the new slogans, the adults' arguments and the sudden feeling that her country has become a different place.

Quick check — from memory, then reveal:

1. Why were many Iranians angry in the late 1970s?

2. What happened in January 1979?

3. What did Marji's family hope for?

1. Because of the secret police, the gap between rich and poor and the lack of political freedom.

2. The Shah left the country, and the monarchy was soon replaced by an Islamic Republic.

3. That the new Iran would be freer.

Discuss:
  • Why do revolutions often start with people who want very different things? What can go wrong when the old order falls?

Part 2 — The new rules and the war

The hopes of many people turned quickly to worry. The new regime introduced strict rules: girls had to wear the veil, schools separated boys from girls, and music, books and parties that had been ordinary became risky. Censorship and repression grew, and people learned to watch what they said.

In September 1980 Iraq attacked Iran, and a long, costly war began; it lasted until 1988. The government used slogans to encourage young men to fight and described those who died as martyrs. The book shows young boys being handed plastic keys said to open the gates of paradise.

For Marji, the war was an ordeal: sirens, shelters, shortages and the loss of people she loved. Her uncle Anoosh, a former political prisoner, is arrested again and does not survive. These are the pages where the book's humour stops, and the grief begins.

Quick check — from memory, then reveal:

1. What changed in schools after the revolution?

2. When did the war begin and end?

3. What happens to Marji's uncle Anoosh?

1. Girls had to wear the veil and boys and girls were separated.

2. It began in September 1980 and ended in 1988.

3. He is arrested again and does not survive.

Discuss:
  • How should an author handle death and violence when the narrator is a child? What do you gain, and what do you risk?

Part 3 — The child who keeps asking

Marji is curious, stubborn and funny. She argues with her teachers, tests what she is told at school against what her parents say at home and sometimes holds imaginary conversations with God. Her questions — direct, sometimes comic, sometimes devastating — are the way the book makes sense of an enormous subject.

Her parents are defiant in quiet ways: they tell her the truth at home and take risks to keep her thinking for herself. Outside, the family learns to say little. The contrast between the public face and the private truth runs through the whole book.

Looking back, the adult author can see what the child could not. This hindsight never takes over the story, but it gives the scenes their edge: we often understand a little more than Marji does, and that gap is where much of the feeling lives.

Quick check — from memory, then reveal:

1. How does Marji test the official story?

2. How are her parents defiant?

3. What does the adult author's hindsight add?

1. She compares what she is told at school with what her parents say at home.

2. They tell her the truth at home and take risks to keep her thinking independently.

3. A gap between what the child understands and what the reader understands, which gives the scenes feeling.

Discuss:
  • Is it easier to understand a historical event through one person's story or through a general account? What does each leave out?

How the tool works

When people discuss history, many stop at the facts. A good conversation climbs three steps. The Question Ladder gives you the three levels — and a way to ask a question that moves a group up.

SO WHAT?WHY?causes and reasonsWHAT HAPPENED?the facts

Using it, step by step

  1. What happened? Start with the facts: who, what, when. These questions have answers you could check. When did…? What was introduced…?
  2. Why? Move to causes and reasons. These have answers, but people may disagree. Why did so many people welcome…? What might explain…?
  3. So what? Move to meaning. These questions have no single answer: they ask what it means for us now. What does it teach us about…? Should we…?
  4. Climb. If a conversation is stuck on facts, ask a Why. If it is stuck on opinions, ask for a fact. A group needs all three levels.

Try it yourself

These are questions someone might ask in a book discussion. Which level of the ladder is each one?

1. When did the war with Iraq begin?
2. Why did so many families welcome the revolution at first?
3. What does a story like this teach us about how quickly freedoms can change?
4. Which new rules were introduced in schools?
5. What might have made a government want to control how people dressed?
6. Should readers treat this book as history, or as one person's story?
7. What did the government call people who died in the war?
8. Why do you think her parents kept their real views for home?

1. What happened? — a question of fact with a checkable answer.

2. Why? — it asks for causes and reasons.

3. So what? — it asks about meaning for today.

4. What happened? — it asks for facts.

5. Why? — it asks the group to reason about motives.

6. So what? — it asks how we should use the book.

7. What happened? — it asks for a fact.

8. Why? — it asks for reasons behind behaviour.

Where the tool breaks

Don't skip the base. A "So what?" with no facts under it is just opinion. Check that everyone shares the basic story first.

Don't stay on the base. A discussion that is only facts is a quiz. Move up when the facts are settled.

Some Why questions have no answer. That is fine — what matters is the reasoning people offer, not a single right reply.

Talk it through:
  • Which level do you naturally ask at in a conversation?
  • Write one question at each level about a news story from this week.

Its cousins

Meeting 1: A Book Told in PicturesThe previous meeting: how the book looks and what it did to you. Open the lesson →
Close Reading: A Child's Eye on HistoryThe same topic in a more analytical key: how a child narrator creates irony. Open the lesson →
Meeting 3: Home and AwayThe next meeting: what happens when you are sent away, and come back different. Open the lesson →
Short History, Long EchoesTrue stories from history, told in short lessons with the real podcast. Open the lesson →

Language — Describing change over time

A story about a revolution is about things that used to be one way and became another. English has precise tools for this: used to, would, be used to, no longer and a set of adverbs for how fast change happens.

1 · used to + infinitive. Past habits and past states that are no longer true: “Parties used to be an ordinary part of life.” “She used to wear jeans.” Negative: didn't use to.
2 · be/get used to + -ing. Being familiar with something, or becoming so: “She got used to wearing the veil.” “They were used to hearing sirens.” This is a different structure with a different meaning.
3 · would. Repeated past actions (not states): “Every Friday we would visit my grandmother.” Do not use would for states: She would have long hair → “She used to have long hair.”
4 · no longer / any more. “Women no longer had a choice.” = “Women didn't have a choice any more.” Not not longer.
5 · How fast? gradually, steadily, increasingly, suddenly, overnight: “The rules became increasingly strict.” “Things changed overnight.”
6 · Traps. She used to wearing a veil → “She used to wear / She was used to wearing.” She didn't used to like it → “She didn't use to like it.”

1. Choose the correct form

Choose the form that fits the meaning.

1. She (used to / was used to) wear jeans; now she wears a veil.

2. After a few months she (used to / got used to) wearing it.

3. He (used to / is used to) the noise of sirens, having lived in the city all his life.

4. People (no longer / not longer) felt safe talking in public.

5. Things became (gradual / gradually) stricter.

1. used to (a past habit)

2. got used to (became familiar with)

3. is used to (familiar with)

4. no longer

5. gradually (an adverb, describing how it changed)

2. Fix the sentence

Each sentence has one mistake with a change expression. Rewrite it correctly.

1. She used to wearing jeans before the revolution.

2. People were used to say whatever they liked.

3. She didn't used to be afraid.

4. She is used to live in a strict country.

5. Things were getting increasing worse.

1. She used to wear jeans before the revolution.

2. People used to say whatever they liked. (or: People were used to saying…)

3. She didn't use to be afraid.

4. She is used to living in a strict country.

5. Things were getting increasingly worse.

3. Describe the change

Write one sentence for each pair, using the structure in brackets.

1. Before: parties at home were normal. Now: they are risky. (used to) →

2. Before: girls chose what to wear. Now: they must wear a veil. (no longer) →

3. Day one: the rules were new. A year later: nobody noticed them. (got used to) →

1. Parties at home used to be normal, but now they are risky.

2. Girls no longer chose what to wear / could no longer choose what to wear.

3. At first the rules were new, but within a year people had got used to them.

Now describe a change in your own town or workplace over the last ten years, using used to, no longer and get used to.

Speak

Now it's your turn. Choose a task, start the timer and talk. On your own it works as a talk; with a partner or a group, take turns and respond to each other.

Useful language: “When I was younger, it used to be…” · “It no longer…” · “We got used to…” · “Things changed overnight / gradually when…” · “The question I'd ask is…”
Time remaining: 4:00
Task 1 — The year it changed

Describe a time when your world changed quickly. What was the day like before, and what was it like after?

Task 2 — Climb the ladder

Pick a news story. Ask and answer one question at each level: what happened, why, and so what.

Task 3 — Handed down

Tell a story about history that you heard from a relative. What did they tell you that a book would not?

Task 4 — Quiet defiance

Is a small private act of defiance — a hidden book, a song, a party — worth the risk? Argue for or against.

To finish — the harder questions

  1. Why do ordinary people so often not see a big change coming until it has happened?
  2. Does a child's version of history give us something a historian's account cannot — or only something less reliable?
  3. How much should a book club know about the history of a book before reading it?
  4. From memory: name the three levels of the Question Ladder and give one example question for each.